he/him
Wenbin Huang
As we grow, we learn from our environment, shaped by the sensations of mostly visuals and sounds. According to psychologist Lisa Feldman Barrett’s theory of constructed emotion, our brain constructs emotions by drawing on memories of past experiences and sensations. This intricate mechanism inspires me to self-express through my work and drives my fascination with uncovering visual clues and fragments of memory that evoke human emotion.
As a photographer and graphic designer, I am captivated by the interplay of functionality and artistic expression in visual communication. Each time I capture a photograph, I aim to document ephemeral moments filled with the transformative power of bridging the past and present with narrative potential. Whether it’s a smiling face or a still-life object, a story has been documented when the frame instantly freezes, arousing me to investigate the questions of “who, what, when, why, and how” behind the captured moment. By organizing visual clues through design, I seek ways to construct functional communication, evoking emotional resonance.
Effective communication can not exist without stimulating emotional perceptions, which are influenced by countless factors, including cultural context and individual sensory abilities. To create immersive and inclusive environments that resonate with diverse audiences, I am developing a user-centered methodology that emphasizes thoughtful design strategies for reinterpreting original stories while inviting audience feedback. By integrating these insights into my design practice, I aim to bridge the gap between narrative, emotion, and interaction.
Experiential Design, 2024.
Poster, 10 × 10 in.
Time, Space, and Love, 2024.
Installation, 96 × 45 × 15 in.
Chinese New Year, 2024.
Risograph posters, each 17 × 11 in.
50 Questions, 2024.
Video, 35 seconds.
Time Scale, 2024.
Flip book, 7.5 × 1 × ¾ in.